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The Equestrienne: A Woman's Wardrobe from Burghley to Cheltenham


La Signora — The Country Set

The Equestrienne

A woman's wardrobe from Burghley to Cheltenham

Defender Burghley Horse Trials: 3–6 September 2026 · then the jumps season begins

When the flat season takes its bow at the end of summer, British style does something quietly wonderful: it moves to the country. Burghley in the first week of September, the autumn county shows, then the long build to Cheltenham — a calendar that has dressed some of the most photographed women in Britain without a single red carpet. The equestrienne wardrobe is having its moment again (every glossy from Bazaar to ELLE has run the ‘horse girl autumn’ story), but it was never really away. Here is how Claudio Lugli does it: heritage shapes, insurgent prints.

“Heritage shapes. Insurgent prints. That is the whole philosophy.”

The Riding Jacket, Reconsidered

Start with the silhouette the whole look hangs from. The Heritage Herringbone Riding jacket is cut long through the body with a flared skirt to the hem — the line of a show-ring coat, in an English herringbone that means it works over jeans at the horse trials and over a black dress in town. Its sister, the California Dogtooth, sharpens the same idea into a bolder check. These are the pieces that make the rest of the outfit look intentional.

Heritage Herringbone Riding womens jacket
The Heritage Herringbone Riding jacket, £250 — show-ring line, city manners — click to shop

The Prints of the Paddock

Underneath, the shirt carries the wit. The Snaffle Tie Dye takes the classic bit motif and pulls it through watercolour; the Ornate Horseshoe reads as a lucky charm at conversation distance and pure geometry across a field. For Burghley itself — four days of dressage, cross-country and shopping villages — the Elizabeth Horse Check layers horses over a heritage check so that two English languages speak at once. And the Galloping Horses print is for the woman who has decided that subtlety is for spectators.

Country, Not Costume

The field-sports seam runs deeper than horses. The Flying Pheasant print — game birds mid-flight across satin cotton — belongs at a shoot lunch or a market-town Saturday alike, and the pheasant family is the range's best-kept secret at £35 entry. The trick with country prints is the same as the city rule inverted: keep the setting quiet and let the print be the anecdote. Waxed jacket, dark denim, boots — and a shirt with a story.

Flying Pheasant womens print shirt
The Flying Pheasant, £70 — the shoot-lunch shirt — click to shop

The Calendar to Dress For

3–6 September: Defender Burghley Horse Trials — riding jacket over the Snaffle Tie Dye, boots you can walk a cross-country course in. 18–20 September: Goodwood Revival, which is its own universe entirely — we dress it decade by decade here. November into spring: the jumps season, Cheltenham's November Meeting through to the Festival — where the herringbone earns its keep and the horseshoe print becomes genuinely useful superstition. For the racing summer behind us, start with Ladies' Day at Glorious Goodwood.

Shop Women's Jackets

Riding jackets · double-breasted tailoring · the herringbone family

Frequently Asked Questions

What should a woman wear to the races?

A printed statement, a tailored frame and one considered accessory: an equestrian-print shirt under a structured blazer, trousers or a midi that move, and shoes you can walk the course in. Colour reads best against the turf, and a jacket is never wasted — British racecourses are breezy.

What is an equestrian print shirt?

A shirt printed with riding-world motifs — snaffles and bridle hardware, horseshoes, galloping horses or heritage checks — drawn as sporting art rather than novelty. At a race meeting an equestrian print is a courtesy to the occasion, not a costume.

What do you wear to Cheltenham, Goodwood or Ascot as a woman?

Each has its own register: Goodwood is a relaxed garden party (linen and panamas), Ascot is a formal dress code (modest hems, real hats), and Cheltenham is winter racing (herringbone, wool and a warm layer). A well-drawn equestrian print works across all three under the right tailoring.

The Equestrienne: A Woman's Wardrobe from Burghley to Cheltenham - Claudio Lugli Shirts
Nav Salimian, Claudio Lugli
Written by
Nav Salimian
Director, Claudio Lugli
Nav Salimian is the creative force behind Claudio Lugli, the London design house known for bold, artistic printed shirts. He writes about print, colour, fabric and fit — drawing on over a decade of designing statement shirts.